FUX-BRUX
by Santi Delgado
Low resolution copy for registration purposes only (and then).
Click & Enjoy!
Low resolution copy for registration purposes only (and then).
Click & Enjoy!
The contemplative pleasure and the purely formal aesthetic delight, what in Freudian terms is known as The Pleasure Principle, is today, more than ever before, also a radically effective Political Principle against the byzantine contemporary political discourses that are permeating some of the new artistic productions.
Day 5 of Glitchtober 2020 // Tension.
Double repost cause she's a dumbass who breaks files (but, like, unintentionally, too).
New AE-Glitch Edition by Super FarLoopers Inc. Collective.
Motion, experimental, oniric, dreamscapes, ghosts...
"Corpuscular" is the second piece of LUX SPECTRIS, a series of electrovisions focusing on the microscopic scale of the optical and aural microcollisions and fluctuations, constructed just like the universe, were no matter their dimensions it's all composed of the tiniest pieces of substance. Unlike atoms, corpuscles are usually endowed with a property of their own and are further divisible, while atoms are neither..
Filmmaker Tim Richardson’s short film, Neon Rapture, takes Iris Van Herpen’s futuristic fashion line into a stunning virtual world, blurring the line between couture and cinema.
Goniometrie is an audioreactive composition based in vertexshader and quaternions transformations of a predesigned 3D object. A little motionblur is added. Made with vvvv and modo 302.
Audio: XZICD+Changing Rainbow.
Video: LASAL.
Hello! Here we are. The very best recreated human glitches forever and ever.
Directed and designed by bif
Produced by Mill+
Agency TBWA
Utopia and dystopia in an amazing glitch. Enjoy!
Concrete connections in the play of lights and shadows. Glitched AI aided scenes and animation.
Concept by Diverxo Metaverxo.
Glitch Aesthetic by CS.M_Bcn.
A controversial collaboration between graphic designer Chehue S. Miró aka CS.M_Bcn and new media artist Jorge Sellés that invites to reflect on the pleasures of the indiscreet eye and places the viewer in the role of voyeur without being confined to the shadows.
A series of marble statues processed with black and white analog VCR glitches.
Thanks to the entire generation that has enjoyed, from clandestinity and at night, the encoding of Canal+'s erotic broadcast. WE LOVE YOU!
Pin-Ups, Olivia Newton-John, Bikinis, Weed, Banana Split and Glitch.
A glitchy portrait of underwater solitude.
Austrian artist Mirjam Baker captures a moment of submersion in an abstract video for electronic duo Monochord's meditative composition, Floating Tank.
“Someone jumps into a pond and we become them as we experience the underwater scenery from their point of view,” says Baker of her mesmerizing piece.
Dirk Koy's Goods 01-07 consists of seven videos showing the linear movement of freight trains from an aerial viewpoint. As the train arrives, the camera is still and then the content is distorted before eventually being restored at the end of the train's passage, the eye finally finding peace again. The duality of these images and the fusion between the real and the digital are characteristic of the processes employed by the artist.
UNOFFICIAL VIDEO
Ketev [Yair Elazar Glotman]
Lightning With Stag In Its Glare
2016 I Know No Weekend
Portals Editions – PRTLS 006
video [audioreact•lab]
Morphing and new digital aesthetics.
Shown during the 2019 Denver Supernova as well as the Momentum Festival in Toledo. Soundtrack by Fausto Crocetta aka Faust Degada.
It is the posthuman vision of transgression. Where different transgressions are placed in the way we visualise ourselves in environments from the digital field, as future conditions of the human being and its connection with interfaces. Allowing a look from the transgression of the frontiers between man/machine, time/space and life/death, with new ways of creating communication codes by forging new visualisations of the environment, as an artificial and virtual landscape.
CAUTION: STROBE WARNING
Concept and composition: Ryoji Ikeda. Computer graphics and programming: Norimichi Hirakawa, Tomonaga Tokuyama, Satoshi Hama, Ryo Shiraki.
© Ryoji Ikeda Studio 2021
This video: directed and filmed by Pedro S. Küster, additional Cinematography by Laima Leyton, filmed in the occasion of Ryoji Ikeda's solo exhibition MAY 2021 at 180 The Strand, London, UK.
STRUCTURE-LIVE audiovisual live performance extends the artist’s field of exploration to more tangible paradigms, injecting physical realities into his digital chaos, creating the first merge, collision, fusion between human and inert elements to date in Bayle’s work.
Moving clouds short film.
Sound by Alejandro Ghersi.
Advertising retrospective and music video for Stéphane Sednaoui. Also for himself, a compilation of memories.
A collection of funny smiling loops.
Artwork & Music by Lucas Zanotto.
"The mountain is just a hill ", extracted from Cachopou’s third and definitive studio album “Stakes Are High” delivers an inflexion in the band’s sound, thrusting a powerful new mix of fresh organic electronica and post-everything routines featuring lots of randomness, freedom and a bit of jazz.
Visuals by Alexandre Louvenaz.
Refik Anadol is a Turkish-American designer, media artist and greatest exponent of current technological digital art. His projects consist of data-driven machine learning algorithms that create abstract, dreamlike environments.
New dimensions and borders in organic textures for sensitive and sensual aesthetics.
Hundreds of characters and scenes sampled from Hollywood cinema populate a vertical scroll depicting an endlessly ascending journey from hell to heaven. This religious-themed tableau contains three distinct visual environments offering a pop-culture reinvention of the volcanic landscape of Hades and the lofty clouds of Heaven.
Cachopou are the creative and artistic duo formed by Juanma Lodo and David Quiles Guilló.
"Together", extracted from Cachopou’s third and definitive studio album “Stakes Are High” delivers an inflexion in the band’s sound, thrusting a powerful new mix of fresh organic electronica and post-everything routines featuring lots of randomness, freedom and a bit of jazz.
Is this art music? We like to think it is.
Visuals by AUJIK.
A cam-girl questions who is watching her beyond the camera.
“Women have a unique hyperawareness of their physical selves as objects,” explains Samantha Severin, the director exploring salacious voyeurism in this short film. “We’re constantly on display—sometimes we feel like prey.”
Experimental audiovisual passage that shows the surreal transition of fictional subjects who undergo various morphological changes transforming their characters and states to the synchronized rhythm of a spanish "bulería" musical piece.
It should be noted that this video-creation has been made entirely through free multimedia applications for video and image editing with a mobile device with Android operating system.
Conceptually, the world of 'Care More' is one of shifting dimensions, where the encroaching mechanization of life and emotion has colonized the hearts and minds of a free and creative world. Within the fray, we bear witness to the passing conversations of its inhabitants, some jubilant about this transformation and others who want to fight against it.
A simple sigh can contain an entire life, the intensity in a space-time interval in which virtual and real existences are intertwined that, from the deepest and most subtle lightness, invites us to reflect on intersubjectivity and adaptation aligned in our being. Creativity as an active and indispensable tool to explore our abilities and enrich our own parallel daily lives.
An audiovisual passage born from the friendship and collaboration between the artists Maria Albero and Jorge Sellés.
Jose Cruzio's research addresses different concepts such as, for example, the continuous questioning of "place" when it comes to artistic creation, among other aspects. It provokes both collaborative and individual practices, through issues of identity, simulations, materiality and immateriality, place, the objective and subjective, appropriation and recontextualization, the archive and, eventually, the arts in multidisciplinary collaboration, as well as its processes for a new vision and politics in art.
Immersive audiovisual Installation by Japanese artist Gan Jian.
Stunning audiovisual creations in virtual and real dimensional sequences about natural phenomena by Japanese grandmaster artist Yoshi Sodeoka.
Images that come from nohing but words.
Code poems and new media art and aesthetics.
Addictions love us and vice-versa.
music by Barranc / visuals by Jorge Sellés
VHS copied to VHS copied to VHS copied...
He'd done this once before ten years ago, but he'd never properly showcased it.
What you're witnessing is a video being copied to a VHS tape, that tape being re-digitized, and then copied onto the tape again... and again and again and again... a total of sixteen times.
He termed the original digital video source "generation 1", but it should possibly be called "generation 0". He've never been clear on which way is proper. The first time you see VHS is generation 2.
Results vary from VCR to VCR. This one behaved nicely.